Halloween II


On October 31, 1978, Laurie Strode (Jamie Lee Curtis) is taken to Haddonfield Memorial Hospital after being attacked by Michael Myers (Dick Warlock), who disappeared after falling off a balcony. Despite being shot six times, Michael is still very much alive. Taking shelter to recover from his injuries, Michael steals a kitchen knife from the home of an elderly couple and kills a teenage girl (Anne Bruner) living next door.

Meanwhile, Dr. Sam Loomis (Donald Pleasence) and Sheriff Leigh Brackett (Charles Cyphers) continue searching for Michael. Loomis chases after Laurie's classmate Bennett Tramer, who is dressed like Michael; an oncoming police car suddenly crashes into the teenager, killing him in the process. Sheriff Brackett leaves the manhunt after he learns that his daughter Annie was one of Michael's victims, putting Deputy Gary Hunt (Hunter von Leer) in charge to help Loomis.

At the hospital, paramedic Jimmy Lloyd (Lance Guest) develops romantic feelings for Laurie, much to the chagrin of head nurse Virginia Alves (Gloria Gifford). Michael discovers Laurie's location via the radio, and makes his way to the hospital. Once there, he cuts the phone lines, disables the cars, and kills the hospital employees: Security guard Mr. Garrett goes downstairs to fix the power in the basement and is killed with a hammer claw to the skull. Paramedic Budd is strangled while Nurse Karen is drowned in a hot tub. Orderly Janet hurries off to get Dr. Mixter only to find him dead in his office. Before she can flee, Michael grabs her from behind and kills her with a syringe. Jimmy and Nurse Jill Franco (Tawny Moyer) search the hospital for Laurie, who is trying to evade Michael; Jimmy finds Mrs. Alves' corpse and slips in a pool of blood on the floor, losing consciousness.

Elsewhere, Loomis is informed that Michael broke into the local elementary school. As he investigates, Loomis's colleague, Marion Chambers (Nancy Stephens), and a marshal (John Zenda) come to escort Loomis back to Smith's Grove on the governor's orders. Along the way, Marion informs Loomis that Laurie is Michael's sister, but that information was kept secret for her safety. With the realization that Laurie is Michael's target, Loomis forces the marshal to drive back to Haddonfield.

Just after finding Laurie, Jill is killed by a scalpel-wielding Michael, who then pursues Laurie through the hospital. Laurie escapes to the parking lot and hides in Jimmy's car. Regaining consciousness, Jimmy exits the hospital and gets in the car to seek help, but he falls unconscious on the steering wheel horn because of his injuries, alerting Michael to their location. Loomis, Marion, and the marshal get to the hospital just in time to save Laurie. Loomis shoots Michael five more times. As Marion attempts to contact the police, Michael kills the marshal and chases Loomis and Laurie into an operating room. Michael stabs Loomis in the stomach, wounding him, but Laurie shoots Michael in the eyes, blinding him. Loomis and Laurie fill the room with ether and oxygen gas. Loomis orders Laurie to run and sacrifices himself by igniting the gas, which blows up the operating room with him and Michael inside. Michael emerges from the room, engulfed in flames, before he collapses and finally dies. Early the next morning, Laurie is put in an ambulance and driven to safety.


Template:Div col



Carpenter and Hill, the writers of the first Halloween, had originally considered setting the sequel a few years after the events of Halloween. They planned to have Myers track Laurie Strode to her new home in a high-rise apartment building.[1] However, the setting was later changed to Haddonfield Hospital in script meetings.

Halloween executive producers Irwin Yablans and Moustapha Akkad invested heavily in the sequel, boasting a much larger budget than its predecessor: $2.5 million (compared to only $320,000 for the original) even though Carpenter refused to direct. Most of the film was shot at Morningside Hospital in Los Angeles, California, and Pasadena Community Hospital in Pasadena, California.[2] There was discussion of filming Halloween II in 3-D; Hill said, "We investigated a number of 3-D processes ... but they were far too expensive for this particular project. Also, most of the projects we do involve a lot of night shooting—evil lurks at night. It's hard to do that in 3-D."[2]

The sequel was intended to conclude the story of Michael Myers and Laurie Strode. The third film, Halloween III: Season of the Witch, released a year later, contained a plot that deviated wholly from that of the first two films.[1] Tommy Lee Wallace, the director of Halloween III, stated, "It is our intention to create an anthology out of the series, sort of along the lines of Night Gallery, or The Twilight Zone, only on a much larger scale, of course."[3] When asked, in a 1982 interview, what happened to Myers and Loomis, Carpenter flatly answered, "The Shape is dead. Pleasence's character is dead, too, unfortunately."[4] Neither Carpenter nor Hill were involved in the later sequels that featured Michael Myers again.


The screenplay of Halloween II was written by Carpenter and Hill. In a 1981 interview with Fangoria magazine, Hill mentions the finished film differs somewhat from initial drafts of the screenplay.[1] The plot twist of Laurie being Michael's sister required a retcon of the timeline between Judith's murder and the events depicted in the first Halloween; while Michael Myers is said to have committed the crime fifteen years ago and to be twenty-one.

Film critic Roger Ebert, who was a big admirer of the first film, notes that the plot of the sequel was rather simple: "The plot of Halloween II absolutely depends, of course, on our old friend the Idiot Plot, which requires that everyone in the movie behave at all times like an idiot. That's necessary because if anyone were to use common sense, the problem would be solved and the movie would be over."[5] Characters were described as shallow and like cardboard. Hill rebuffed such critiques by arguing that "in a thriller film, what a character says is often irrelevant, especially in those sequences where the objective is to build up suspense."[6]

Historian Nicholas Rogers suggests that a portion of the film seems to have drawn inspiration from the "contemporary controversies surrounding the holiday itself."[7] He points specifically to the scene in the film when a young boy in a pirate costume arrives at Haddonfield Memorial Hospital with a razor blade lodged in his mouth, a reference to the urban legend of tainted Halloween candy.[8] According to Rogers, "The Halloween films opened in the wake of the billowing stories about Halloween sadism and clearly traded on the uncertainties surrounding trick-or-treating and the general safety of the festival."[7]


The main cast of Halloween reprised their roles in the sequel with the exception of Nick Castle, who had played the adult Michael Myers in the original. Veteran English actor Pleasence continued the role of Dr. Sam Loomis, who had been Myers' psychiatrist for the past 15 years while Myers was institutionalized at Smith's Grove Sanitarium. Curtis (then 22), again played the teenage babysitter Laurie Strode, the younger sister of Myers. Curtis required a wig for the role of long-haired Laurie Strode, as she had her own hair cut shorter.[9] Charles Cyphers reprised the role of Sheriff Leigh Brackett, though his character disappears from the film when the corpse of his daughter Annie (Nancy Loomis) is discovered. Actor Hunter von Leer heads the manhunt for Myers in the role of Deputy Gary Hunt. He admitted in an interview that he had never watched Halloween before being cast in the part. He stated, "I did not see the original first but being from a small town, I wanted the Deputy to have compassion." Nancy Stephens, who played Loomis's nurse colleague Marion Chambers in the original, also reprised the character and was given a more important role, revealing to Loomis the family connection between Laurie and Michael.

Stunt performer Dick Warlock played Michael Myers (as in Halloween, listed as "The Shape" in the credits), replacing Castle who was beginning a career as a director. Warlock's previous experience in film was as a stunt double in films, such as The Green Berets (1968) and Jaws (1975), and the 1974 television series Kolchak: The Night Stalker. In an interview, Warlock explained how he prepared for the role since Myers received far more screen time in the sequel than the original. Warlock said,

[I watched the scenes] where Laurie is huddled in the closet. Michael breaks through. She grabs a hanger and thrusts it up and into his eyes. Michael falls down and Laurie walks to the bedroom doorway and sits down. In the background, we see Michael sit up and turn towards her to the beat of the music. ... Anyway, that and the head tilt were the things I carried with me into Halloween II. I didn't really see that much more to hang my hat on in the first film.[10]
Warlock also claims that the mask he wore was the same one Nick Castle used in the first film. Hill confirmed this in an interview.[2]

The supporting cast consisted of relatively unknown actors and actresses, except for Jeffrey Kramer and Ford Rainey. Most of the cast previously or later appeared in films or television series by Universal Studios (the distributor for this film). Kramer was previously cast in a supporting role as Deputy Jeff Hendricks in Jaws and Jaws 2 (1978). In Halloween II, Kramer played Dr. Graham, a dentist who examines the charred remains of a boy confused with Myers. He was chosen to play Haddonfield Memorial Hospital's drunk resident doctor, Frederick Mixter. A host of character actors were cast as the hospital's staff. Many were acquaintances of director Rosenthal. He told an interviewer, "I'd been studying acting with Milton Katselas at the Beverly Hills Playhouse and I brought many people from the Playhouse into Halloween 2."[11] These included Pamela Susan Shoop, Leo Rossi, Ana Alicia and Gloria Gifford. Rossi played the part of Budd Scarlotti, a hypersexual EMS driver who mocks Jimmy as a "college boy."

Shoop played Nurse Karen Bailey, who is scalded to death by Myers in the hospital therapy tub. Featured in the only nude scene in the film, Shoop discussed filming the scene in an interview: "Now that was hard! The water was freezing cold, and poor Leo Rossi and I could barely keep our teeth from chattering! The water was also pretty dirty and I ended up with an ear infection."[12] Gifford and Alicia played minor supporting roles as head nurse Mrs. Virginia Alves and orderly Janet Marshall. Actor Lance Guest played an EMS driver, Jimmy Lloyd. The Last Starfighter director Nick Castle stated in an interview, "When I was assigned to the film, Lance Guest was the first name I wrote down on my list for Alex after seeing him in Halloween II." Castle adds, "He possessed all the qualities I wanted the character to express on the screen, a kind of innocence, shyness, yet determination."[13] Future Saturday Night Live and Wayne's World star Dana Carvey also appears briefly in a non-speaking role, wearing a blue baseball cap and receiving instructions from the TV reporter.


Carpenter refused to direct the sequel and originally approached Tommy Lee Wallace, the art director from the original Halloween, to take the helm. Carpenter told one interviewer, "I had made that film once and I really didn't want to do it again."[14][15] After Wallace declined, Carpenter chose Rosenthal, a relatively unknown and inexperienced director whose previous credits included episodes of the television series Secrets of Midland Heights (1980–1981). In an interview with Twilight Zone Magazine, Carpenter explains that Rosenthal was chosen because "he did a terrific short called Toyer. It was full of suspense and tension and terrific performances."[4][16]

File:HalloweenII title.jpg

Stylistically, Rosenthal attempted to recreate the elements and themes of the original film. The opening title features a jack-o'-lantern that splits in half to reveal a human skull. In the original, the camera zoomed in on the jack-o'-lantern's left eye. The first scene of the film is presented through a first-person camera format in which a voyeuristic Michael Myers enters an elderly couple's home and steals a knife from the kitchen. Rosenthal attempts to reproduce the "jump" scenes present in Halloween, but does not film Myers on the periphery, which is where he appeared in many of the scenes of the original. Under Rosenthal's direction, Myers is the central feature of a majority of the scenes. In an interview with Luke Ford, Rosenthal explains,

The first movie I ever did [Halloween II] was a sequel, but it was supposed to be a direct continuation. It started one minute after the first movie ended. You have to try hard to maintain the style of the first movie. I wanted it to feel like a two-parter. You have the responsibility and the restraints of the style that's been set. It was the same crew. My philosophy was to do more of a thriller than a slasher movie.[11]


The decision to include more gore and nudity in the sequel was not made by Rosenthal, who contends that it was Carpenter who chose to make the film much bloodier than the original.[17] According to the film's official website, "Carpenter came in and directed a few sequences to clean up some of Rosenthal's work."[16] One reviewer of the film notes that "Carpenter, concerned that the picture would be deemed too 'tame' by the slasher audience, re-filmed several death scenes with more gore."[18] When asked about his role in the directing process, Carpenter told an interviewer:

That's a long, long story. That was a project I got involved in as a result of several different kinds of pressure. I had no influence over the direction of the film. I had an influence in the post-production. I saw a rough cut of Halloween II, and it wasn't scary. It was about as scary as Quincy. So we had to do some post-production work to bring it at least up to par with the competition.[4]

Rosenthal was not pleased with Carpenter's changes. He reportedly complained that Carpenter "ruined [my] carefully paced film."[19] Regardless, many of the graphic scenes contained elements not seen before in film. Roger Ebert claims, "This movie has the first close-up I can remember of a hypodermic needle being inserted into an eyeball."[5] The film is often categorized as a splatter film rather than a slasher film due to the elevated level of gore. Film critic John McCarty writes of splatter films: "[They] aim not to scare their audiences, necessarily, nor to drive them to the edge of their seats in suspense, but to mortify them with scenes of explicit gore. In splatter movies, mutilation is indeed the message ...."[20] Rosenthal later directed the eighth film in the Halloween series, Halloween: Resurrection (2002), which, ironically, contained graphically violent content.


Main article: Halloween II (soundtrack)
Halloween II The shape stalks again

Halloween II The shape stalks again

The Shape stalks again

Carpenter composed and performed the score with Alan Howarth, who had previously been involved in Star Trek: The Motion Picture (1979), and worked with Carpenter on several projects including Escape from New York (1981), Halloween III: Season of the Witch (1982), Christine (1983), and Prince of Darkness (1987). The film's score was a variation of Carpenter compositions from Halloween, particularly the main theme's familiar piano melody played in a compound 5/4 time rhythm. The score was performed on a synthesizer organ rather than a piano.[21] One reviewer for the BBC described the revised score as having "a more gothic feel." The reviewer asserted that it "doesn't sound quite as good as the original piece", but "it still remains a classic piece of music."[22]

The film featured the song "Mr. Sandman" performed by The Chordettes, which would later be featured in the opening scenes of Halloween H20: 20 Years Later.[23] Reviewers commented on the decision to include this song in the film, calling the selection "interesting" and "not a song you would associate with a film like this." The song worked well to "mimic Laurie's situation (sleeping a lot), [making] the once innocent sounding lyrics seem threatening in a horror film."[22] Another critic saw the inclusion of the song as "inappropriate" and asked, "What was that about?"[24]


To advertise Halloween II, Universal printed a poster that featured a skull superimposed onto a pumpkin. This imagery is described by film historian and sociologist Robert E. Kapsis as "an unmistakable horror motif." Kapsis points out that by 1981 horror had "become a genre non grata" with critics. The effect of this can be seen in the distributor's promotion of the film as horror while at the same time stressing that the sequel, like its predecessor, "was more a quality suspense film than a 'slice and dice' horror film."[25] Use of the tagline More Of The Night HE Came Home—a modified version of the original Halloween tagline—hoped to accomplish the same task.

Theatrical runEdit

Halloween II premiered on October 30, 1981.[26] The film grossed $7,446,508 on its opening weekend.[26] The rights were sold to Italian producer Dino De Laurentiis and the film was distributed by Universal.[27] While the gross earnings of the sequel paled in comparison to the original's $47 million, it was a success in its own right, besting the earnings of other films of the same genre released in 1981: Friday the 13th Part 2 ($21,722,776), Omen III: The Final Conflict ($20,471,382) and The Howling ($17,985,893).[28] Internationally, Halloween II was released throughout Europe, but it was banned in West Germany and Iceland due to the graphic violence and nudity; a later 1986 release on home video was banned in Norway. The film was shown in Canada, Australia, the Philippines and Japan.[27][29][30]


An adaptation of the screenplay was printed as a mass market paperback in 1981 by horror and science-fiction writer Dennis Etchison under the pseudonym Jack Martin. Etchison's novelization was distributed by Kensington Books and became a bestseller. It also features captioned black and white stills from the film at the beginning of each chapter.[31][32]


An alternate version of Halloween II (sometimes referred to as 'The TV Cut') has aired on network television since the early 1980s (most recently on AMC and Chiller), with most of the graphic violence and blood edited out and many minor additional scenes added, while others are removed. The length of the film still runs nearly identical to the theatrical version. There are many edits such as the murders of Alice, Dr. Mixter, Janet, and Mrs. Alves—all presumed to still happen, but some are off camera. Jimmy's discovery of Mrs. Alves dead and his subsequent slipping in the pool of blood has been significantly shortened (or removed altogether in some prints) and moved just prior to the explosion which kills Myers. Also added are scenes of Michael cutting the power (this explains the dark setting throughout the latter half of the film) and a power generator kicking in. There is also extra dialogue between Laurie and Jimmy, Laurie and Mrs. Alves, Janet and Karen, Karen and Mr. Garrett, Bud and Karen, Jill and Jimmy, etc. Another notable difference is the killing of the Marshall. In the theatrical version his throat is slit, while in the TV version it is softened, with Michael grabbing him and stabbing him from behind (with no detail shown). While the theatrical version ends with the deaths of Michael Myers and Dr. Loomis and leaves the audience in a gray area as to whether Jimmy survives, the television cut features an extended ending showing Jimmy alive (with bandaged head wound from his slip) in the ambulance with Laurie Strode. They hold hands and Laurie says, "We made it."[27]

Home video releaseEdit

Halloween II was first released on VHS and laserdisc in 1982 by MCA/Universal Home Video and later by Goodtimes Home Video. From 1998, DVD editions have also been released by these companies.[27] Shout! Factory re-released the film in a 2-disc collector's edition DVD and Blu-ray on September 18, 2012 with new special features, including the alternate television cut.[33]

Although the film was passed uncut with an 'X' certificate for its UK theatrical run, the 18-rated VHS release suffered 17 secs of BBFC cuts which considerably reduced the violence and nudity during the murder of Karen in the jacuzzi. These cuts were eventually waived for the 2002 Sanctuary DVD, and all subsequent releases were fully uncut.

In 2007, the film was released as a two-disc "Universal double feature" with Halloween III: Season of the Witch. Lions Gate re-released the film on DVD in Australia in 2008 with no special features.[34] On October 13, 2013 the film was again released on DVD in Australia by Via Vision Entertainment with the same DVD extras as the US Scream Factory release.

Blu-ray releaseEdit

Universal Studios released the film on Blu-ray in the United States on September 13, 2011. It is packaged as a 30th Anniversary Edition and includes deleted scenes, My Scenes featurette, Pocket BLU app, an alternate ending and the 1984 documentary feature Terror in the Aisles.

The release sparked controversy immediately due to the fact that Universal removed the credit "Moustapha Akkad Presents" and replaced it with "Universal, An MCA Company, Presents" ... in a font that did not match the rest of the opening credits. Akkad's son, Malek, called the stunt "disgusting. It's a disgrace[;] obviously, bias[.] [O]bjectively, any horror fan would find this as an insult to the man who has done so much to the series. And to come after his tragic death, he's not even around to defend himself. It's classless. I'm talking to Universal now and they're 'looking into it.Template:'" However, Akkad was still credited on the packaging. Fans immediately called for a boycott of the disc and set up a Facebook page.[35] On November 28, Universal started sending out emails announcing that the revised Blu-ray was now available and for owners of the previous disc to provide the studio with their "address and daytime phone number".[36]

Shout! Factory re-released the film in a 2-disc Collector's Edition Blu-ray on September 18, 2012 under its new Scream Factory label with new special features, including two new audio commentaries, two new "behind-the-scenes" featurettes, deleted scenes, an alternate ending, the theatrical trailer, TV and radio spots, and still gallery.[37] The Collector's Edition also contains the TV cut, along with a downloadable script of the film, on a second DVD disc for both format releases. The new Blu-ray release restores the Akkad credit.[38] The Blu-ray was released in Australia on October 13, 2013 with Blu-ray extras TV cut scenes, trailer.


Trick or Treat Studios has released a series of officially licensed Halloween II masks, costumes, and props from Universal Studios, beginning in October 2012. Some of these include the Halloween II Michael Myers mask, Halloween II Michael Myers mask with blood tears, Michael Myers props, and Michael Myers' coveralls.[39]


Roger Ebert of the Chicago Sun-Times wrote that Halloween II represented "a fall from greatness" that "doesn't even attempt to do justice to the original." He also commented, "Instead, it tries to outdo all the other violent Halloween rip-offs of the last several years."[5] Web based critic James Berardinelli offered a particularly stinging review:

The main problem is the film's underlying motivation. Halloween was a labor of love, made by people committed to creating the most suspenseful and compelling motion picture they could. Halloween II was impelled by the desire to make money. It was a postscript—and not a very good one—slapped together because a box office success was guaranteed.[18]
He accused Carpenter and Hill of not believing "in this project the way they believed in the original, and it shows in the final product. The creepiness of the first movie has been replaced by a growing sense of repetitive boredom." Berardinelli was not impressed by the decision to give Myers so much screen time. He says, "The Shape, who was an ominous and forbidding force, has been turned into a plodding zombie. The characters have all been lobotomized, and, in keeping with the slasher trend, the gore content is way up. There was virtually no blood in Halloween; Halloween II cheerfully heaps it on."[18]

Janet Maslin of The New York Times compared the film to other horror sequels and recently released slasher films of the early 1980s rather than to the original. "By the standards of most recent horror films, this—like its predecessor—is a class act." She notes that there "is some variety to the crimes, as there is to the characters, and an audience is more likely to do more screaming at suspenseful moments than at scary ones." Maslin applauded the performance of the cast and Rosenthal and concluded, "That may not be much to ask of a horror film, but it's more than many of them offer."[40] David Pirie's review in Time Out magazine gave Rosenthal's film positive marks, stating, "Rosenthal is no Carpenter, but he makes a fair job of emulating the latter's visual style in this sequel." He wrote that the Myers character had evolved since the first film to become "an agent of Absolute Evil."[41] Film historian Jim Harper suggests, "Time has been a little fairer to the film" than original critics. In retrospect, "many critics have come to recognise that it's considerably better than the slew of imitation slashers that swamped the genre in the eighties."[42]

Like the original Halloween, this and other slasher films have come under fire from feminist critics. According to historian Nicholas Rogers, academic critics "have seen the slasher movies since Halloween as debasing women in as decisive a manner as hardcore pornography."[7] Critics such as John Kenneth Muir point out that female characters such as Laurie Strode survive not because of "any good planning" or their own resourcefulness, but sheer luck. Although she manages to repel the killer several times, in the end, Strode is rescued in Halloween only when Dr. Loomis arrives to shoot Myers.[43]

Despite a more negative reaction than its predecessor, Donald Pleasence and Jamie Lee Curtis both received praise for their performances. Dick Warlock's portrayal as Michael Myers has also become very popular with fans of the franchise.

In 1982, the Academy of Science Fiction, Fantasy & Horror Films, USA, nominated the film for two Saturn Awards: Best Horror Film and Best Actor for Pleasence. The film lost to An American Werewolf in London (1981) and Harrison Ford was chosen over Pleasence for his role in Raiders of the Lost Ark (1981).[44]

"Halloween II murders"Edit

An incident with minor connections to the film heightened attitudes about the potent effects of media violence on young people. On December 7, 1982, Richard Delmer Boyer of El Monte, California, murdered Francis and Eileen Harbitz, an elderly couple in Fullerton, California, leading to the trial People v. Boyer (1989). The couple were stabbed 43 times by Boyer. According to the trial transcript, Boyer's defense was that he suffered from hallucinations in the Harbitz residence brought on by "the movie Halloween II, which defendant had seen under the influence of PCP, marijuana, and alcohol." The film was played for the jury, and a psychopharmacologist "pointed out various similarities between its scenes and the visions defendant described."[45] Boyer was found guilty and sentenced to death. The incident became known as the "Halloween II Murders" and was featured in a short segment on TNT's Monstervision, hosted by film critic Joe Bob Briggs.[16] Following the trial, moral critics came to the defense of horror films and rejected calls to ban them. Thomas M. Sipos, for instance, stated,

It would be silly, after all, to ban horror films just because Boyer claims to have thought that he was reenacting Halloween II, or to ban cars because Texas housewife Clara Harris intentionally ran down and killed her husband. Nor does it make sense to ban otherwise useful items such as drugs or guns just because some individuals misuse them.[46]


  1. Cite error: Invalid <ref> tag; no text was provided for refs named HIIIinfo
  2. 2.0 2.1 2.2 Hill interview, Fangoria, quoted at; last accessed April 19, 2006.
  3. Tommy Lee Wallace interview, in Ellen Carlomagno, "Halloween III: Season of the Witch: An On-The-Set Report On The Ambitious Sequel to Carpenter's Classic!", Fangoria, #22, October 1982, p. 8, available here Template:Cite web; last accessed April 19, 2006.
  4. 4.0 4.1 4.2 Carpenter, interview with Twilight Zone Magazine, November 1982, available here [1]; last accessed April 19, 2006.
  5. 5.0 5.1 5.2 Eber, Roger. Review of Halloween II, Chicago Sun-Times, January 1, 1981, at; last accessed April 19, 2006.
  6. Hill, quoted in Robert E. Kapsis, Hitchcock: The Making of a Reputation (Chicago: University of Chicago Press, 1992), p. 172, Template:ISBN.
  7. 7.0 7.1 7.2 Rogers, Nicholas. Halloween: From Pagan Ritual to Party Night (Oxford: Oxford University Press, 2002), p. 121, Template:ISBN.
  8. Barbara Mikkelson, "Pins and Needles", at; last accessed April 19, 2006.
  9. Template:Cite video
  10. Dick Warlock, interview with; last accessed April 19, 2006.
  11. 11.0 11.1 Luke Ford, interview with Rosenthal, March 12, 2002, at; last accessed April 19, 2006.
  12. Pamela Susan Shoop interview, quoted at; last accessed April 19, 2006.
  13. Nick Castle interview, quoted at Template:Webarchive; last accessed April 19, 2006.
  14. Carpenter interview, Famous Monsters magazine, quoted at; last accessed April 19, 2006
  15. Terror Tidbits (Fango #288): Celebrating HALLOWEEN II Template:Webarchive
  16. 16.0 16.1 16.2 Behind the Scenes, Halloween II, at; last accessed April 19, 2006.
  17. Bill Chambers, review of Halloween II at Template:Webarchive; last accessed April 19, 2006.
  18. 18.0 18.1 18.2 James Berardinelli, Halloween II,; last accessed April 19, 2006.
  19. Justin Kerswell, "Slash with Panache?", review of Halloween II at; last accessed April 19, 2006.
  20. John McCarty, The Official Splatter Movie Guide (New York: St. Martin's Press, 1989), Template:ISBN, quoted at; last accessed April 19, 2006.
  21. Alan Howarth biography, at; last accessed April 19, 2006.
  22. 22.0 22.1 "More of the Night He Came Home", review of Halloween II, BBC Collective, October 23, 2003, at; last accessed Sept. 28, 2013.
  23. Soundtrack, Halloween II, at; last accessed April 19, 2006.
  24. Review of Halloween II, And You Call Yourself a Mad Scientist! at; last accessed April 19, 2006. Template:Webarchive
  25. Kapsis, Hitchcock, p. 171.
  26. 26.0 26.1 Halloween 2 at Box Office Mojo
  27. 27.0 27.1 27.2 27.3 Distribution, Halloween II, at; last accessed April 19, 2006.
  28. Box Office Mojo 1981 domestic grosses chart; last accessed April 19, 2006.
  29. Censorship in Germany, at; last accessed April 19, 2006.
  30. Halloween II Censorship History, at Template:Webarchive; last accessed April 19, 2006.
  31. Jack Martin, Halloween II (New York: Kensington, 1981), Template:ISBN.
  32. Dennis Etchison, Jack Dann, and Ramsey Campbell, eds., Gathering the Bones: Original Stories from the World's Masters of Horror (New York: Tor/Forge, 2003), p. 447, Template:ISBN.
  33. Template:Cite web
  34. Template:Cite web
  35. Halloween II: How Universal disrespected Moustapha Akkad - Shock Till You, September 14, 2011
  36. Halloween II Blu-ray: Justice has been served - Dread, November 28, 2011
  37. [2]
  38. Template:Cite web
  39. Template:Cite web
  40. Janet Maslin, "Movie: 'Halloween II' for Fright Fans", New York Times, October 30, 1981, p. C8.
  41. David Pirie, review of Halloween II, Time Out magazine, reprinted in 1991, p. 277.
  42. Jim Harper, Legacy of Blood: A Comprehensive Guide to Slasher Movies (Manchester, Eng.: HeadPress/Critical Vision, 2004), pp. 16–17, Template:ISBN.
  43. John Kenneth Muir, Wes Craven: The Art of Horror (Jefferson, N.C.: McFarland & Company, 1998), p. 104, Template:ISBN.
  44. Template:Cite web
  45. People v. Boyer (1989) 48 C3d 247, transcript available here [3]; last accessed April 19, 2006.
  46. Thomas M. Sipos, "Don't Blame the Devil This Halloween", October 11, 2005, at; last accessed April 19, 2006.

External linksEdit